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Why novels? A high school story
For educators Terry Farish For educators Terry Farish

Why novels? A high school story

In my role as a novelist, I recently presented an assembly program to students at Gorham High School in Maine. Many had not read my novels, but they came to hear a writer who often writes as a witness to the world and its people. The title of my talk was “Writing as a Witness,” and I wanted to bring them the world.

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Seeing Haiti through a young girl’s eyes
For educators Terry Farish For educators Terry Farish

Seeing Haiti through a young girl’s eyes

I visited the Amiko Youth Program in Manchester, where twelve multilingual learners gathered to read Auntie Luce’s Talking Paintings in English and Kreyòl. The children drew their own portraits, explored Haiti through the eyes of a young girl, and discovered what it means to see a home country “deep in your bones.”

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Immigrants, kids and flan
For educators Terry Farish For educators Terry Farish

Immigrants, kids and flan

Here’s a Behind the Book essay about my picture book “Luis Paints the World.” The book is timely again. It’s a story about a big brother’s deployment to war through the eyes of his little brother who finds a way to mark the days.

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I love the novel any way I can
For educators Terry Farish For educators Terry Farish

I love the novel any way I can

I taught a Creative Writing class with young college students in their first year. They didn’t flinch from hard material — gender, class, violence, love, family. But why stories? That’s what I wanted to talk about with them. Here’s a bit of our journey through some of the books we read, and our reflections on how hard it is for us to talk to each other, across generations, across class, across cultures.

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