OD and I met when he wrote a rap song for Viola (in The Good Braider). Now we’ve done a book together, Aii Yee, Joseph! I love this book because with OD, it’s an Acholi story. OD says, this is me when I was growing up. He came to Portland from Kyangwali refugee camp in Uganda. And now our Joseph was a small boy in Kyangwali before he came to Portland. We’ve made discovery after discovery together about Joseph. For instance, in Kyangwali, he played the awal, a percussion instrument you hit with a wire comb. Now our book has moved to the art department at Groundwood where the art director will do a rough layout. Then the book goes to Ken Daly, the artist of Joseph’s Big Ride. Final art in 2020, then printing in Asia. Aii Yee, Joseph arrives in 2021!
Valerie Bolling‘s and Maine Diaz‘s Let’s Dance is a whirlwind of flying, stomping, spinning, leaping, somersaulting kids from around the globe showing moves from one of their country’s traditional dances. Diaz captures the pure joy of movement in her cartoon character’s whole bodies. An American breakdancer is upside down with excitement with the music and the fun of the dance. Bolling’s action rhymes will be fun for kids to sing out and play out while they dance! The characters dance flamenco in Spain, Kathak in India, Kuku in West African Guinea, long-sleeve dancing in China. One of my favorite illustrations is when the bright pages transition to a dramatic dark with the words “Counting sheep” while Diaz’s bevy of sheep give us a reprise of many of the dances featured in the story. There are step dancers, line dancers and some are singing their hearts out while, on the previous page, a little girl imagines as she falls into sleep.
Another treat are the endpapers with tiny illustrations of all the dancer’s shoes. Kids will have fun naming the shoes and adding Bolling’s rhythmical language that capture the moves.
I like to write about how dance crosses cultures. Dance in America draws from many cultures with migration from all over the world. Let’s Dance is a perfect addition for the youngest readers to a collection of books I wrote about in an earlier article for Multicultural Kid Blog. “Why dance each other’s dances? Because we are each other. Feel the beat of our cultural histories.” Why Dance Each Other’s Dances
Ways to Find a Home:
stories of migration
Some Favorite Children’s Books for 2019
illustration from Birdsong by Julie Flett, Greystone Kids
Julie Flett’s picture book Birdsong runs away with my blue ribbon for picture books this year. All of these books are about migration of some kind and in the case of Katherena in Birdsong, her migration is to a new home away from the sea and across generations. Ever since I read Flett’s earlier book, Wild Berries, I’ve loved the spare beauty of her storytelling. I’ve loved reading the native Cree language that she offers young readers in her books.
Agnes is working on a pot that’s round and bright. She tells me about waxing and waning moons. I tell her about Cree seasons. This month is called pimihawipisim – the migrating moon.
A Wolf Called Wander by Rosanne Parry is a middle grade novel with extraordinary page drawings by Monica Armino. Parry’s fictional recreation of the documented journey of a wolf through the Pacific Northwest could spellbind a reader from the first page. I was spellbound. She guides the reader to understand the physical world through Wander’s wolf senses and the life or death basis of wolf loyalties. Parry establishes parallels to human migrants among the migrations of all living beings, writing in her author’s note, “Migration is the heartbeat of the world.”
Between Us and Abuela: A Family Story from the Border is by Mitali Perkins and illustrated by Sara Palacios. It’s a picture book of one story of the thousands of stories unfolding on the U.S. – Mexican border. In Palacios’ illustration above, you see families approaching the wall on La Posada Sin Fronteras (Inn Without Borders). It is one day of Las Posadas, a celebration of the birth of Jesus, when people gather on both sides of the wall to remember stories of migrants traveling to cross over. This is a fictional story of a reunion of a child with her grandmother who meet for the first time in five years at the wall.
The vibrant Leila in Saffron is a picture book by Rukhsanna Guidroz, with illustrations by Dinara Mirtalipova published by Salaam Reads, an imprint of Simon & Schuster. With Pakistani-American Leila, we go on her journey to see what she sees in the Pakistani culture that help her discover the wonderful immensity of her own life. The stars of this book are Mirtalipova’s depictions of Leila’s family, swathed in color and joy, their arms open wide in appreciation of this little girl.
In Jasmine Warga’s Other Words for Home, Jude is a young girl who loves movies and French pastries from the bakery shop and her older brother, Issa, where they live in a town by the sea in Syria. But very soon she and her mother, carrying Jude’s unborn baby sister, leave Syria to find safety in her uncle’s home in the U.S. Other Words for Home is a middle grade novel in verse in the voice of a daughter of Syria telling her journey story to America and an American school while longing to see her brother again.
Monica Kulling’s Ruby’s Hope is another book to offer context to all of us who have migrated to a new home, for economic hope, for our children, for a future. The is a fictional account of a child, her siblings, and her mother who would become the subject of Dorothea’s Lange’s ionic photograph of the Great Depression, “Migrant Mother.” When Ruby and her family pack up from their farm in Oklahoma where nothing grew and the cow had died in the dust, they finally leave for California. “The car rumbled west toward Route 66 – the road that crossed the country.” Kulling and illustrator Sarah Dvojack have created a gritty, determined little girl in Ruby, loyal to the landscape of her home and her family.
It’s true that picture books are poetry, but Sea Prayer is even more truly poetry. And one so steeped in grief and a hunger to speak these words for a child and for the thousands of others who have died at sea seeking a home. Sea Prayer is an illustrated poem more for middle school and high school readers and adults. It is Khaled Hosseini’s gift to the UN Refugee Agency for whom he is a Goodwill Ambassador. Let me just give you his words in the voice of a grandfather speaking to his grandson who is three years old: “I look at your profile/ in the glow of this three-quarter moon,/ my boy, your eyelashes like calligraphy,/ closed in guileless sleep./ I said to you, “Hold my hand.”
Mexican and American writer and illustrator Duncan Tonatiuh has won the Pura Belpre Award and the Sibert Medal for his storytelling and distinctive art. His illustrations are based on pre-Columbian art of the native Axtec and Mixtec people of Mexico. Soldier for Equality is a picture book biography of Jose de la Luz Saenz, who fought for equality and the rights of Americans of Mexican heritage. This is a brilliant historical biography of a man who was a teacher in the early 1900s, a soldier in World War I, and a civil rights leader all of us life. Take a look at all of Tonatiuh’s books to revel in how he offers us the depth of a culture through the art of his storytelling.
In this bilingual picture book, Jorge Argueta and illustrator Alfonso Ruano tell the story of children leaving Central America to seek refuge in the United States. Argueta was a refugee from El Salvador’s horrific war in the 1980s. He writes that when he saw the children fleeing from wars in Central America in such great numbers beginning in 2014, he visited some of children in a shelter in San Diego and heard their testimony. Somos Como Las Nubes is a collection of poems, surreal and dreamlike, as are Ruano’s illustrations. The style invites young readers to inhabit the emotional world of the child travelers, alone, only with each other, and their dreams to hold them. For older children and adults to understand this reality of the Americas.
To be a citizen, Dave Eggers and Shawn Harris tell the youngest children, is to have the power to make the choices to shape our lives and our migrations. The first line is “What in the world can a citizen do?” This book is a followup to Egger’s and Harris’s Her Right Foot, – why is the Statue of Liberty’s right foot forward – she’s on the move. Her Right Foot is about America playing its role in the wider world. The breadth of thought of What Can a Citizen Do? includes: “A citizen cannot forget the world is more than you. We’re part of a society one full of joy and pain. A land of latticed people. None of us the same.” And then finally, “”Everything makes an impact on a bigger big than you.”